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ARCHAIC BRONZE JUE WITH LONGEST INSCRIPTON (YU JUE)

Artists

  • ZENG Chuanxing
  • LI Shuang
  • PAN Dehai
  • LIANG Liqiang
ZENG Chuanxing
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ARCHAIC BRONZE RITUA

 

 
ARCHAIC BRONZE RITUA

 
 

ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION

ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION 
 
  • ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION
  • ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION
  • ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION
› ›
  • ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION
  • ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION
  • ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION
 

ARCHAIC BRONZE RITUAL TRIPOD, DING, WITH DRAGON PATTERN AND INSCRIPTION

 
 
SKU: 1702. Categories: Western Zhou Bronzes, Western Zhou Dynasty.

Ref. no.:

1702

Age:

Early Phase of Mid Western Zhou c.10th Century B.C.

Provenance:

Formerly in the Collection of Private Japanese Collector, Sengoku Tadashi

Dimensions

26.5 x 30 cm

Description:

Raised on three tapering columnar legs, the swelling thick-walled body finely cast on the neck beneath the mouth rim with a border of three equally divided simple short flanges of border-width in low relief, each flanked by a pair of confronted kui-dragons, with backward-turned heads, slender bodies, strong claws and coiling tails rested on a neat spiral leiwen background, all below a pair of bail handles rising from the everted rim, with an inscription of sixteen characters in three columns on the side of the interior, with an overall brownish black patina and patches of malachite encrustation

The sixteen-character inscription reads Nan Fang zhui xiao zuo Gong Zhong bao zun jiang yi zi zi sun yong bao, which literally
means Nan Fang made this previous bronze cauldron in honour and dedication to his father (or ancestor) Gong Zhong, sons
and grandsons should treasure it forever. It is the first time that the name Nan Fang appears on bronze inscription, and in this
case it serves as the name of a nobleman or a noble family who was active during the early phase of mid Western Zhou. Archaic bronzes from this family are scarce, another bronze gui dated to late Western Zhou, also with a sixteen-character inscription, had mentioned a nobleman named Nan Pang, probably comes from the same family, and is documented in Institute of Archaeology, Chinese Academy of Social Science (CASS) ed., Yin Zhou jin wen ji cheng (Collection of Bronze Inscriptions from the Shang & Zhou Dynasties), 1984-1994, vol.7, no.3845.

Bronze ding with a swelling body was the mainstream design for tripods in mid Western Zhou, and for this particular piece, the size and volume are both above average compared to other similar vessels made in the same period. For samples of bronze tripods with similar design, compare a ding from the late phase of early Western Zhou, illustrated in Rong Geng, Shang Zhou yi qi tong kao (The Bronzes in Shang and Chou), 1941, vol.2, pl.53, p.37. Another similar piece, Wei Ding (J.W.21-32) dated to mid Western Zhou, now kept in the National Palace Museum in Taipei, is illustrated in Chinese National Palace Museum and the Chinese National Central Museum ed., Gu gong tong qi tu lu (Catalogue of Bronze Vessels in the National Palace Museum), 1958, vol.2, chapter 2, p.72, pl.73; also see National Palace Museum ed., Catalogue of Western Chou Bronze Inscription in the National Palace Museum, 2001, p.81, no.47. Another similar piece, Bo Tao Ding (J.W.116-31) dated to the same period, also kept in the National Palace Museum, is illustrated in ibid, p.82, no.48.

PROVENANCE
Formerly in the Collection of Private Japanese Collector, Sengoku Tadashi
LITERATURE
Wu Zhenfeng, Shang Zhou qing tong qi ming wen ji tu xiang ji cheng (Corpus of Inscriptions and Images of Bronzes from the Shang & Zhou Dynasties), 2012, vol. 4, p.251, no.2073.

 
 

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